Fairyland: A Memoir of My Father
Press & Publicity
On his new album, High Drama, pop star Adam Lambert covers hit by other artists, including Culture Club’s 1982 smash “Do You Really Want to Hurt Me.” The American Idol alum’s next project also finds the LGBTQ icon delving into the past while breaking new creative ground. He stars in this year’s Fairyland, an AIDS drama set mostly in 1970s and ’80s San Francisco.
As the first major festival of the year, Sundance has the honor of giving a first glimpse of what cinema has to offer in the forthcoming months. Making its return to Park City, Utah, after two years of virtual editions, Sundance’s expansive lineup features a blend of high-profile titles and low-key indies equally worthy of attention.
This year’s festival had much to offer in terms of literary adaptations, with source materials ranging from a graphic novel to a viral short story to a coming-of-age memoir.
The thing about shooting a movie set in 1970s San Francisco in 2023 is that those two time periods are actually not the same. The world changes! So when Fairyland, a movie based on a memoir of the same name by Alysia Abbott about growing up with a gay dad during the height of the AIDS epidemic in San Fran, decided to shoot on location, the team had their work cut out for them. “San Francisco in the ’70s was the coolest thing to see in a movie,” said director Andrew Durham at the film’s Sundance premiere. “The production team did an incredible job at finding those places,” added Scoot McNairy, who plays Steve Abbott in the film.
When Andrew Durham was searching for financing for “Fairyland,” his film adaptation of Alysia Abbott’s memoir about growing up in San Francisco with her gay single father and the impact that the AIDS crisis had on the community of LGBTQ Bohemians who populated her world, he received a shocking rejection.
Avec Fairyland, Sofia Coppola s’apprête à nous offrir un nouveau film sur le passage à l’âge adulte, plus connu sous le nom de coming-of-age movie en anglais. Surdouée du genre, elle l’a notamment exploré pour The Virgin Suicides en 1999 et The Bling Ring avec Emma Watson en 2013. C’est bien simple, Sofia Coppola est bel et bien la spécialiste incontestée pour donner vie à la mélancolie de cet âge, qui plus est lorsqu'elle est teintée d’une certaine détresse. En adaptant les mémoires d’Alysia Abbott publiés en 2013 (qui ont d'ailleurs été nommés choix de la rédaction du New York Times), la cinéaste mise sur une histoire aussi émouvante qu’importante.
Few filmmakers pin down the coming-of-age experience quite like Sofia Coppola. From The Virgin Suicides to The Bling Ring, she understands its melancholy and madness. It makes sense then, that the next project she’s opted to get involved with sees her return to familiar ground. Fairyland, which Sofia Coppola is producing, is an adaptation of the 2013 memoir of the same name. It tells the story of Alysia Abbott, a woman recalling her youth spent in San Francisco with her father, a bisexual man, in the 70s and 80s. Of course, the story intersects with the AIDS crisis, and how it affected her family.
EXCLUSIVE: Maria Bakalova (Bodies Bodies Bodies) has joined the casts of Andrew Durham’s feature directorial debut Fairyland for American Zoetrope, and Jerry Seinfeld’s first film Unfrosted: The Pop-Tart Story for Netflix. Details as to the roles she’ll be playing in the features have not been disclosed, though we hear she’ll only be making a cameo in the latter.
Coda star Emilia Jones and Scoot McNairy have nabbed lead roles in producer Sofia Coppola’s Fairyland adaptation for American Zoetrope, with director Andrew Durham having just wrapped production on his debut feature.
Valérie Toranian, Alysia Abbott, Angelika Klüssendorf et Marceline Loridan-Ivens ont reçu chacune dans leur catégorie le Grand Prix de l’Héroïne Madame Figaro mardi 30 juin, lors d'une cérémonie à l’Hôtel Raphael... Read more
Alysia Abbott, critique littéraire et journaliste américaine, est l’auteure de Fairyland. Une autobiographie où elle retrace son enfance aux côtés de son père, veuf et homosexuel, dans le San Francisco des années 70, bientôt adaptée au cinéma par Sofia Coppola.
Sofia Coppola a décidé d’en faire un film. Mais il faut lire le récit – peut-être des « mémoires »- d’Alysia Abbott, la fille unique de Steve Abbott, poète gay, et d’une maman mannequin et féministe.
In her New Yorker essay “A Memoir is not a Status Update,” Dani Shapiro articulates what every memoirist knows to be true...
When Alysia Abbott was two years old, her mother died in a car crash and her father, a poet and gay rights activist, moved her to San Francisco... Read more
In 2013 journalist Jessie Bennett sat down with Alysia Abbott in Boston to discuss her new book Fairyland: A Memoir of My Father, a vivid time capsule of growing up during the 1970s and 80s with a gay dad in San Francisco.
While these days it's not uncommon to meet children with gay parents, in the 1970s it was. Alysia Abbott was one of those kids.
In August 1974, Steve Abbott drove a beat-up VW bug over the Golden Gate Bridge, his three-year-old daughter Alysia beside him...
About
Named a New York Times Editors' Choice and one of the best books of 2013 by The San Francisco Chronicle, Goodreads, and others, Fairyland is now available in paperback and is currently being made into a feature film, starring Emilia Jones, Scoot McNairy, Geena Davis, Adam Lambert, and Cody Fern. The French version of Fairyland is available from Editions Globe. The book has also been translated into Italian, Polish, Portuguese, and Spanish.
After his wife dies in a car accident in 1973, gay writer and activist Steve Abbott moves with his two-year-old daughter to San Francisco. There they discover a city bustling with queer men in search of liberation—few of whom are raising a child.
Steve throws himself into San Francisco’s vibrant cultural scene. He takes Alysia to parties, pushes her in front of the microphone at poetry readings, and introduces her to a world of artists, thinkers, and writers. But the pair live like nomads, moving from apartment to apartment, with a revolving cast of roommates and little structure. As a child Alysia views her father as a loving playmate but as she gets older Alysia wants more than anything to fit in. The world, she learns, is hostile to difference.
In her teens, Steve’s friends—several of whom she befriended—fall ill as “the gay plague” starts its rampage through their community. While Alysia is studying in New York and then France, her father comes to tell her it’s time to come home; He’s sick with AIDS. She must choose, as her father once did, whether to take on the responsibility of caring for him or to continue the independent life she worked so hard to create.